Open Ears - Open Minds

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Senior Programme

People playing instruments in a Bristol Pre-Con session

Location and Time

Our senior students meet in St Monica’s Trust in Westbury-on-Trym every Wednesday evening during term-time from 6:30pm – 9:30pm.

Fees

The cost is £41 a week for Senior students to include all chamber tuition and general musicianship training.

Fees are paid half-termly on invoice.

Bursaries are available – please get in touch to find out more.

Opportunities

Students will undertake regular performances at St Monica’s and elsewhere, and we have a varied programme of visiting artists and speakers.

In addition we also offer audition preparation, lessons on how to practice effectively as a soloist and in a group, stagecraft, and opportunities to attend concerts as a group.

We welcome talented young musicians who are serious about their music.

We audition throughout the year. To apply, email bristolpreconservatoire@gmail.com

We’d love to hear from you!

A typical evening

Senior programme

6:30 – 7:15pm:

Workshop (“Opening Session”) on music appreciation, theory and ear training, with regular visiting artists.

7:15 – 7:30pm:

Break and refreshments.

7:30 – 9:30pm:

Session with ensemble tutor working on repertoire, theory and technique.

Click here to view our safeguarding policy 

Senior programme requirements:

›Aged 13 – 18

›Grade 7+ standard or equivalent on your instrument or voice

›Open-minded and ready to be challenged

›Keen to learn as part of a small ensemble

›Able to commit to once-weekly evening classes for a whole term at a time

›For your Pre-Conservatoire audition, we will ask you to play two contrasting pieces, and will give you a short interview about your musical interests.

We welcome talented young musicians who are serious about their music.

We audition throughout the year. To apply, email bristolpreconservatoire@gmail.com

We’d love to hear from you!

Bristol Pre-Con concert image

“It’s great that our son gets so many fantastic opportunities from being involved in Pre-Con – thank you!”

Intermediate programme

Location and Time

Our intermediate students meet in St Monica’s Trust in Westbury-on-Trym every Wednesday evening during term-time from 5:15pm-7:30pm.

Fees

The cost is £27 a week for intermediate students to include all chamber tuition and general musicianship training.

Fees are paid half-termly on invoice.

Bursaries are available – please get in touch to find out more.

Opportunities

Students will undertake regular performances at St Monica’s, and we have a varied programme of visiting artists and speakers.

In addition we also offer audition preparation, lessons on how to practice effectively as a soloist and in a group, stagecraft, and opportunities to attend concerts as a group.

We welcome talented young musicians who are serious about their music.

We audition throughout the year. To apply, email bristolpreconservatoire@gmail.com

We’d love to hear from you!

A typical evening

Intermediate programme

5:15-6:15pm

Session with ensemble tutor working on repertoire, theory and technique.

6:30-7:15pm

Workshop (“Opening Session”) on music appreciation, understanding theory through improvisation and ear training, with regular visiting artists.

7:15 – 7:30pm

Refreshments.

Click here to view our safeguarding policy 

Intermediate programme requirements:

›Aged 11-15

›Grade 6+ standard or equivalent on your instrument or voice

›Open-minded and ready to be challenged

›Keen to learn as part of a small ensemble

›Able to commit to once-weekly evening classes for a whole term at a time

›For your Pre-Conservatoire audition, we will ask you to play two contrasting pieces, and will give you a short interview about your musical interests.

We welcome talented young musicians who are serious about their music.

We audition throughout the year. To apply, email bristolpreconservatoire@gmail.com

We’d love to hear from you!

Opening Sessions

Image of someone playing the piano at a Bristol Pre-Con session

All Pre-Con students attend weekly workshops and recitals (“Opening Sessions”, Wednesdays 6:30-7:15) dedicated to multi-genre musical exploration and improvisation.

Here are the sessions for Autumn Term 2025:

DateOpening Session
10/9/2025

Everybody (Ezra Collective) with Jon Rees & Alex Goodyear

17/9/2025

Bartók´s modes (1): Ukrainian Dorian with Jon Rees

24/9/2025

Nintendofication with Alex Goodyear

1/10/2025

Holistic Musicianship: Looking after ourselves and others as musicians with Helen Reid, Professional Studies Course Lead at Guildhall School of Music and Drama

8/10/2025

Rhythm practice with Alex Goodyear

15/10/2025

Silence with Professor Emma Hornby, University of Bristol

22/10/2025Song-writing with Fini Bearman 
  
5/11/2025Speaking the language with Jon Rees (NB topic change)
12/11/2025Guitar recital with award-winning guitarist Jack Hancher. 
19/11/2025Optimising breathing for performance with Jenna Brown, Voice Coach
26/11/2025Rhythm, Time, & Clarity of Musical Ideas with Alex Goodyear
3/12/2025Bartók´s modes (2) with Jon Rees

Later in 2025-26 we have Pre-Con founder Jon James returning with Dovetail Orchestra, award-winning Fibonacci Quartet, and Pre-Con Alumnus Toby Yapp´s jazz trio.

Workshop tickets

We are offering 5 Golden tickets exclusively to young musicians aged between 12 and 18 (who are not already members of Pre-Con) for selected workshops. 

Book here:

https://bristolprecon.sumupstore.com/

If you would like to be kept informed when more workshop and concert tickets become available, please pop your name on this form

Pre-Con Term and Concert Dates

All tuition and concerts at St Monica´s, Cote Lane, Westbury-on-Trym unless otherwise marked.

 

Autumn Term 2025

  • September 10 – October 22
  • October 29 – Half-term (no session)
  • November 5 – December 3
  • Concert: Sunday 7 December (7-8:30pm)

 

Spring Term 2026

  • January 7 – February 11
  • February 18 – Half-term (no session)
  • February 25 – March 25
  • End-of-Term Concert: Wednesday 25 March (7-8:30pm)

 

Summer Term 2026

  • April 22 – May 20
  • May 27 – Half term (no session)
  • June 3 – June 24
  • End-of-Year Concert Sunday 28 June (7-8:30pm)

 

NB Additional performance opportunities for selected Pre-Con musicians to include:

  • St George´s Bristol, Glass Studio – 10 June 2026
  • St Peter´s Henleaze Centenary Concert – 13 June 2026

Challenge Yourself

bristolpreconservatoire@gmail.com

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Photo credits: Evan Dawson

Jonathan Rees Artistic Director Bristol Pre-Conservatoire

Jonathan Rees Artistic Director

A highly versatile musician, Bristol-born Jonathan Rees has performed across the globe with the UK's leading chamber and historical performance ensembles and orchestras.​  As a chamber musician he has appeared at the Wigmore Hall, Edinburgh International Festival, Carnegie Hall, Amsterdam Musiekgebouw, Innsbrucker Festwochen and on BBC Radio 3. ​A member of the renowned viol consort Fretwork, he has also performed as continuo / principal cellist and gamba soloist with the Academy of Ancient Music, Orchestra of the Age of Enlightenment, Arcangelo, Florilegium, Dunedin Consort, The Sixteen, ENO, Britten Sinfonia, RLPO, Manchester Camerata, La Nuova Musica and the Wigmore Hall resident ensemble Solomon's Knot. With acclaimed pianist Helen Reid, Jonathan is one half of a piano-cello duo focussing on 20th- and 21st-century repertoire, in particular the music and influence of Nadia Boulanger. An Associate of the Royal Academy of Music, Jonathan has taught undergraduate and postgraduate historical cello students at the Royal College of Music, given historical performance classes at the Royal Academy of Music, Guildhall School of Music, Juilliard School, Birmingham Conservatoire, Cambridge University and the Royal Northern College of Music. He is Artistic Director of Bristol Pre-Conservatoire and teaches privately in the Bristol area. He has devised and led music workshops and children's concerts for the Orchestra of the Age of Enlightenment, Brighton Early Music Festival and others. From 2013 to 2018 he directed and performed at Bristol's acclaimed annual festival, Really Classical Relay.  Outside of the world of music, he spends a lot of his time making compost and growing vegetables for his family and other local wildlife.

Alex Goodyear
Assistant Artistic Director / Drums

Alex Goodyear is a Reading based Drummer, Bandleader and Composer. Since graduating from the Royal Welsh College of Music and Drama in 2019, he has become a regular of the UK and International Jazz scenes, working with artists including Joss Stone, Seamus Blake, John Law, Simon Spillett, Iain Ballamy, Joe Webb, Sam Crockatt, Alex Merritt, Steve Fishwick, Greg Abate, Jake McMurchie, Denny Ilett, Alan Barnes, Huw Warren, Rebecca Nash, Libor Smoldas, and Henrik Jensen. "Alex Goodyear is one of the finest young drummers to emerge for many years..." - The Bebop Club "Swinging, tasteful, and his contribution is sublime. He’s a musician's drummer. There are drummers with the chops flying everywhere but getting in the way of the music... here we have a player who could do all of this but chooses to play the music. Enhancing those around him. Adding colours and being a voice in the perfect conversation." - Jazz in South Wales Alex’s current projects include: • John Law’s “Re-Creations” Quartet • “Yetii”, a Classical-Jazz fusion project co-led by Alex Veitch and Ashley John Long • “Energizer” Trio, co-led by Alex Merritt on sax and Ashley John Long on bass. • “Bluprint”, a funk trio led by Daniel Newberry, featuring Guy Shotton on Organ. Other regular collaborators include Dave Jones, Jonny Bruce, Dave Cottle, Greg Sterland, Craig Crofton, Victoria Klewin, Adam Stokes, Jack Mac, Gareth Roberts, Nick Kacal, Guy Shotton and Sarah Meek.

Chris Green

Chris Green
Programme Manager

Chris is an experienced Production Manager with a strong background in local and national event planning, particularly within the Education and Creative Sectors. Her work has focused on supporting and enabling children and young people to access high-quality musical experiences, and she is passionate about widening participation in music-making and ensemble playing for young musicians.

As Planning & Production Director for the National Children’s Orchestras, Chris led the Operations Team to facilitate exceptional performances in some of the UK’s most renowned venues, including the Bridgewater Hall in Manchester, Lighthouse in Poole, Portsmouth Guildhall, and The Anvil in Basingstoke, creating unforgettable musical experiences for young performers.

Previously, as Education Manager at Bristol Music Hub, Chris played a pivotal role in coordinating music education initiatives across the city. From organising individual music lessons in schools to producing large-scale concerts at Bristol Beacon, she was instrumental in creating opportunities for young people to engage with music and develop their talents.

A dedicated pianist, Chris finds joy in accompanying musicians of all ages. Whether supporting young performers in music exams, playing for Rangeworthy Community Choir, or celebrating the fun and passion of lifelong singers at The Filtones Choir, she values the power of music to bring people together and enrich lives.

photo of Luke Gilbert

Luke Gilbert
Trombone

Luke Gilbert began learning the trombone at an early age having been inspired by his late grandfather, the renowned musician Dennis Chalk BEM. It was this inspiration that led him to achieve a place to study at the Junior Royal College of Music with David Whitson and then subsequently at the Royal Northern College of Music with Chris Houlding, Les Storey and Adrian Morris. Following this he returned to the Royal College of Music as a postgraduate student to complete his studies with the eminent bass trombonist Bob Hughes. Since embarking on a successful and productive freelance career, Luke has performed with the Bournemouth Symphony Orchestra, BBC NOW, BBC Philharmonic and English National Ballet. He has made recordings for radio and film and has worked with well known artists such as Katherine Jenkins, Russell Watson and has also played for Her Majesty the Queen. Luke is currently trombone tutor at Millfield, Dean Close, Clifton College and Wellington School.

photo of John Bacon

John Bacon
Voice

John is a professional tenor and voice teacher, and is recognised as a singer of exceptional musicianship, warmth, style and character. Having performed throughout Europe and North America, he has also been praised for his dramatic intensity, vocal beauty, clarity and agility. John’s singing career has taken him as far as New Zealand, Japan, Mexico and Canada on both the operatic stage and concert platform. He has sung leading roles in works ranging from Monteverdi to Jonathan Dove and major oratorio and recital works from Bach to Britten. Throughout his career he has also been fortunate to work with such distinguished artists as Graham Johnson, Anthony Rolfe Johnson, Yannick Nézet-Séguin, Sian Edwards and Ronald Corp. Through the generous support of the Koerner Foundation Artist Award, and the COB Foundation of Canada, he completed a Master Degree on the postgraduate Opera course at the Guildhall School of Music and Drama under the tutelage of Rudolf Piernay. While at the Guildhall, Mr. Bacon was a prize winner in the English Song Competition, represented the college in an LSO Discovery Lunchtime Concert, and worked with the likes of Philip Langridge, Martin Katz, and Malcolm Martineau. Prior to this, John sang with the Juno award-nominated vocal ensemble musica intima, was a winner of the Canadian Broadcasting Corporation’s Radio Two Début Series for Young Performers, and completed a Bachelor of Music at the University British Columbia. Having grown up in Vancouver, Canada then spent seven years based in London, John moved to Bristol to take singing teaching positions at both Queen Elizabeth’s Hospital School and Taunton School. John is currently a resident artist of Yehudi Menuhin’s Live Music Now performing regularly with pianist Helen Mills.

Nick Malcolm Jazz trumpet

Nick Malcolm
Jazz (Trumpet)

Nick Malcolm is an original and heartfelt improviser, known for his rich sound and sense of improvisational and compositional daring. He led the acclaimed Nick Malcolm Quartet, releasing three albums, touring nationally several times and performing at the London Jazz Festival and on BBC Radio 3’s Jazz On 3. Their final album 'Real Isn't Real', added a quartet of four female vocalists. He also co-led the trio 'Alphabets' (with Hannah Marshall and Lauren Kinsella), the electro-acoustic quartet jade and, in 2021, released 'Chat’ an album of improvised duets with Corey Mwamba. Currently, Nick leads the quintet Out Front, with Jason Yarde, Jake McMurchie, Olie Brice and Dave Smith. They play original music inspired by years of playing music by masters Andrew Hill and Booker Little. Their debut album,‘Buried Web’s, will be released in October 2025. He also heads Knotted Kernel, a multimedia collaboration blending music, spoken word and taste. A member of Dee Byrne's Outlines and Rebecca Nash's Redefining Element 78, he's also played with George Cooper’s Jazz Defenders and Eliza Carthy's 'Wayward Daughter'. Nick has collaborated with a wide range of musicians and is a sought-after session artist, chosen for Take Five Edition IX in 2014. He teaches jazz trumpet privately and at Wells Cathedral School.

Imogen Triner portrait

Imogen Triner
Oboe

Imogen Triner studied at the Royal Academy of Music in London where she won many of the major prizes, including the Paddy Purcell Prize for all wind instruments.  She was awarded a Countess of Munster Scholarship and then a Winston Churchill Fellowship to continue her studies with the Berlin Philharmonic’s solo oboist, Lothar Koch.
 
Imogen’s performances have included major concertos with the Tivoli Festival Symphony Orchestra in Denmark, the Iceland Symphony Orchestra,  the Turku Philharmonic and Kuopio Symphony Orchestras – both in Finland, the Stavanger Symphony Orchestra in Norway,   the Kansas Chamber Orchestra,  the National Italian Symphony Orchestra,  the Belgian National Radio and Television Orchestra,  the Norkoping Chamber Orchestra in Sweden  and many chamber orchestras in the UK, with whom she has played numerous concertos and recorded many of them for  CD.   Many of these performances have been recorded for the radio. 
 
As a chamber musician Imogen has performed highly acclaimed recitals in major London venues and in festivals throughout the UK.  She has toured all over Scandinavia, America and Japan both as a recitalist, giving master classes and with her Oboe Quartet – oboeworks. Various composers have written quartets especially for Imogen, notably Peter McGarr,  and some of these are included on the 2 CDs oboeworks has  recorded.
 
Imogen has plays with the Bristol Ensemble for many years and has enjoyed many wonderful and varied performances. From Bach concerti through large orchestral works to more recently  – Pink Floyd and The Beatles! She  now lives in Bristol and loves the city. Imogen continues her busy playing career, coaching and teaching here.
 
When Imogen is not playing she is most likely to be walking in the hills and mountains with her husband, gardening, or training on Bristol Downs with Clifton Bootcamp!
Neve Humphreys Intern at Bristol Pre-Con

Neve Humphreys Intern

Neve Humphreys is a third year music student at the University of Bristol.

At UOB, Neve is a passionate cellist leading multiple orchestras including the University of Bristol Symphony Orchestra. She has also taken a keen interested in student society committee’s, being the welfare officer for the Bristol University Music Society (BUMS) and she is also the president of Symphonia, a student orchestral society.

Previously, Neve was a member of the Liverpool Philharmonic Youth Orchestra, conducted the BUMS string orchestra and was an intern at the Buxton International Festival over the summer.

Outside of music, Neve enjoys sewing, knitting as well as changing her hair every 6 months.